Joe Sacco is a frigging genius, and his work feels like the natural result of the “Graphic Novel Renaissance” which I may have just now made up.
But [oh my god I can’t believe I’m about to say something this pretentious] there’s a truth to Sacco’s work that’s not even present in a lot of photojournalism. It’s an amazing medium, he’s an amazing artist, and Palestine is destined for long-term greatness.
